Naked and Famous

Kimberly Kane looks like rock and roll. In the very first scene, the very first shot of the movie, she's standing hipshot in a hotel room, with a Polaroid camera in one hand, wearing fishnets, a gunslinger-style belt, and nothing else. She's got the kind of short tough-girl hair that makes you think of Joan Jett and Courtney Love, and the kind of long, lithe body you'd want groupies to have if you were a rock star. In short, she's hot, and she knows what else is hot. Her movie is hot, too, and dangerous, from the opening credits (If you're an epileptic, skip them), an ADD-spawned melange of psychedelically colored photonegative jumpcuts, to the hard-and-fast soundtrack full of rickety songs to the fast-paced editing and unorthodox camera techniques.

Scene 1: Faith, Kimberly Kane, Mr. Marcus
This is a wild and frantic scene, shot in hotel room or apartment; the background doesn't have much character, but it doesn't need to - the action is fast-paced enough that you won't worry about where they are. Faith is a redhead with long, curly hair, and she and Mr. Marcus do all of the fucking while Kimberly roams the sidelines and provides extra stimulation by slapping Faith's tits and face and fingering and kissing her. Faith and Marcus romp around the room, performing in doggy, missionary, RCG and a few variations. He fucks her in the bathroom, on the bed, and up against a plate glass window through which other apartments are visible, and finally puts her on her knees and drops his load on her face.

Scene 2: Roxy Jezel, Smokin' Mary Jane
Smokin' Mary Jane, a Bettie Page-esque brunette in a red and black corset, writhes and wiggles as though trying to escape from the bonds that hold her wrists until Roxy Jezel, an Asian girl with a British accent, shows up wielding a thin cane, with which she proceeds to beat Mary Jane's ass, but not nearly as hard as SMJ would have you believe. It's not all pain, though, as she also kisses SMJ and plays with and licks her pussy. There's a lot of verbal domination by Roxy, and very little except for overheated squealing from Mary Jane. This scene is really just eye candy, as neither the bondage, the pain, nor the sex is serious enough to satisfy anyone looking for any one of those things. It's pretty, though.

Scene 3: Charlotte Stokely, James Deen
Charlotte has apparently been a bad girl, as she's standing in a corner with a blindfold on; she shows what a bad girl she really is by fondling herself for the camera and making lascivious faces, and when the scene shifts to a decrepit bedroom, she strips down for James Deen, who's stroking himself at the end of the bed. Made up to look kind of like a junkie at the end of a long road, she sucks his cock through the bars of the bedstead, then turns around to take him doggy-style while he pulls her hair back and chokes her. For much of the fucking part of this scene, there's no music, and the only sounds are the sounds of sex on a squeaky, threadbare bed, until a punk song starts playing toward the end, and Charlotte looks kind of zombie-like because of her makeup, so this is kind of a bleak scene, with a squalid feel to it, like watching people fuck in an abandoned house. The sex is hard and almost brutal, with James Deen choking and gagging Charlotte with his hands from time to time, and Charlotte looking almost desperate; I think Kane is definitely evoking a lost little girl feeling here. They fuck in missionary, doggie, and reverse cowgirl, with lots or oral action for both of them in between the positions, and finish up with Charlotte coaxing a load form James while she's sitting on his face.

Scene 4: Angel Baby, Kimberly Kane
Kimberly and Angel go at it on what looks like an urban rooftop, going down on and fingering each other to a bleak, bass-heavy song, the volume jumping around from time to time. The scene is shot in black and white, alternating between slow-motion and sped-up action with a lot of off-angles and jumping cuts, and you rarely get a really good look at the girls' faces, which is a shame because Angel Baby looks like a pretty hot punky girl; she's got a riotous set of what are either dreads or extensions - it's hard to tell - and a couple of tattoos that are also hard to make out. The two finger and eat each other, Angel fucks Kimberly with a strapon in standing doggy, and Kimberly uses a dildo to penetrate Angel's ass while the other girl fingers herself.

Scene 5: Kimberly Kane, Dana Vespoli, Otto Bauer, Alec Knight
Kimberly and Dana are in a shed or a stable - the scene starts off with a horse trying to nuzzle the camera - playing with each other, licking and fingerfucking as they get ready for an onslaught of cock. Without any prep, the scene switches to the two girls on their knees, servicing a pair of cocks belonging to Otto Bauer and Alec Knight. They double-team the boys, trading cocks from time to time, until Kane makes an unobtrusive exit and the two guys take on Dana at both ends, Alec fucking her from behind while Otto shoves his cock down her throat. She leads them outside and they do a D.P., with Alec leaning against a fence and Dana riding him while Otto supports her by fucking her ass from behind, and then run through a couple more positions, with Dana finally taking both money-shots on her face.

Scene 6: Dani Woodward, Roxy Jezel, Smokin' Mary Jane
More all-girl fun, as Mary Jane starts off on a couch stroking two big dildos in thigh harnesses and Dani and Roxy prepare themselves by masturbating. Dani gets aboard first, riding the dildo in a cowgirl position, but Roxy soon joins them, and the two newcomers each get a dick to ride, with SMJ caressing them both from behind. They both climb off to clean off their respective dildos with their tongues, and then Mary Jane is in between the two, eating Dani out while Roxy feasts on MJ's pussy and asshole. They switch around, and now Mary Jane has Dani sitting on her face and Roxy's dildo in her pussy, and then Roxy makes them both deep-throat the rubber cock. The two girls service Roxy's pussy and the scene ends, again, without a clear climax.

Scene 7: Kimberly Kane, Lexi Love
This scene is the most disorienting of all, with a strobing light, a confusing background - what appears to be a room dotted with gloryholes and papered with porn, and a throbbing drum and bass soundtrack featuring a German-sounding female vocalist, whose only intelligible phrase is "My ass wants you, and my pussy too." Kimberly crawls from hole to hole, sucking dick by herself until Lexi Love shows up and takes on some of the meat. Kimberly quickly takes on the role of dominatrix, shoving Lexi's head forward and forcing her to take them deep. She doesn't entirely give up sucking cock herself, though, keeping her hand in with some of the many bones that protrude from the walls. Between them they coax loads out of three cocks, most of the come ending up on Lexi's face.

No doubt some of the work was influenced by her partner in crime, Jack the Zipper, but Kimberly's freshman directing effort is stylish, interesting and sexy. A little more approachable than Jack's headcase hardcore, it's eye-catching, but not just eye-candy; each scene sets up a different mood, supported by good music that differs from scene to scene and by good sets that also help create an individual feeling. My only complaint about Naked and famous is that there's not enough Kimberly Kane in it. She's a beautiful, sexy woman with an evident maturity - she knows how to hold back a little to create some tension instead of just being a shrieking, spitting harridan. She appears in four of the seven scenes, but mostly in sort of supporting roles, and I wanted to see more of her; on the other hand, the movie was so engaging that only at the end, tallying up the various activities, did I realize that the only time Kimberly gets penetrated is in her scene with Angel Baby, and that's with a strap-on. Didn't matter, though - Naked and Famous is still a great piece of porn.   Collapse.

Kimberly Kane looks like rock and roll. In the very first scene, the very first shot of the movie, she's standing hipshot in a hotel room, with a Polaroid camera in one hand, wearing fishnets, a gunslinger-style belt, and nothing else. She's got the kind of short tough-girl hair that makes you think of Joan Jett and Courtney Love, and the kind of long, lithe body you'd want groupies to have if you were a rock star. In short, she's hot, and she knows what else is hot. Her movie is hot, too, and dangerous, from the opening credits (If you're an epileptic, skip them), an ADD-spawned melange of psychedelically colored photonegative jumpcuts, to the hard-and-fast soundtrack full of rickety songs to the fast-paced editing and unorthodox camera techniques. ... Read the Full Review!